It is evident he is not a sleeper or sitting on the sidelines. Scott Knoxx is holding his own and taking charge in his placement in this industry. His rhymes are clever and fitting to every track he compliments!
Scott Knoxx began making a name for himself as a teenager on Milwaukee’s north side nearly 15 years ago, setting the mixtape circuit ablaze with classic flows over jacked beats and superb original material throughout the mid-to-late 90s. His first full-length album, Knoxxism, hit the streets in 1999, officially announcing his status as one to be reckoned with on Milwaukee’s Hip-Hop scene. His second LP, Mil-Town Millionaire, added greatly to Knoxx’s growing reputation as a rhyme animal with endless lyrical energy and vivid street tales, while also setting the stage for many power moves to come.
Soon after the millennium turned, Knoxx made his first foray into the corporate side of the industry with Xtra Entertainment, an imprint aimed at handling his ever-evolving catalog of business interests which includes promotions and marketing, model management, internet radio and further strengthening the Scott Knoxx brand via the local and national mixtape circuit. Knoxx and his company have been across the country sharing the Mil-Town sound, performing alongside and building business relationships with industry heavies including Digital Underground, the Recordbreaker and DJs Shadyville DJs.
While his interests have grown from being strictly musical, Knoxx understands the music is what keeps everything moving. For that reason and because he’s addicted to the booth, he employs a feverish work ethic, never leaving the streets without fresh material to rock to. His latest effort, a collaboration with Philly Fly Boy called ”My Life Is Like A Movie”, is more of the same carefully crafted Scott Knoxx sound his fans have become accustomed to.
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Money
As artists, your music matters and you want to be sure you find a recording home that’s suitable for you and your music. While costs should play a major role in your decision, your ultimate experience should bear more weight. To pay nickels and dimes for a shabby session only to go back and do it again is double the work. Price shop and compare and consider your needs and what you are willing to compromise.
Experience
Many studios service several genres of music while others cater to a few. Many service bands while others are limited to accommodating a few musicians. Some studios have staff that is highly experienced while others have staff that are just starting out. Keep in mind also, a studio just starting out doesn’t mean they are neither fully equipped nor knowledgeable of taking care of business. They could have gained much experience in another environment and decided upon setting up their own business.
Samples
Early on is a good idea to listen to samples of the studio’s work similar to the music you plan to record. Remember there’s no need to listen to rock, when you are planning to record jazz. It gives you no idea of what they can do with your project. If the recording is not suitable for you, there’s no need to further pursue them. Move on. On the other hand, if they don’t have any recording samples…this becomes a gut decision you have to make.
Visitation
Make an appointment to get a visual and a feel of your intended recording environment. What matters the most about your studio experience is how you feel when you step in the room. Notice other people that are there when you visit. Do they appear to be the hang-out crew? Does this matter to you? Do you want extra non-staff people in on your session?
Do you smell smoke upon entrance of the studio? As smoke is not any equipment’s best friend, your precious recordings should not be jeopardized by possible equipment failure because of it.
Meet the engineer? Does she/he seem like the type that will work with you, especially knowing you may be new to the studio environment? Do you trust him/her early on? Check out the sound room/area. How does it feel?
Communication
Do communicate your session setup and equipment needs and understand the studio’s setup requirements of you. Check to be sure they can provide the recording medium you prefer. Will you bring along a producer, and will they understand their role in the studio and communication with the engineer? Are you planning on a mix down immediately after your session? As most studios don’t mix same day; it’s safe to plan on a separate session.
Refreshments
It is a guarantee that long recording sessions bring on hunger pangs and excessive thirst. Find out if the studio will provide refreshments such as water or juice and or fruit and light snacks. Some do this as complimentary, while others may offer it for sale. Otherwise, be prepared to bring your own.
Rules
And the big one last thing to consider when shopping for a studio is the rules! Simple question – can you live with them? If you are a drinker or smoker and need to satisfy your fix during your session; find out if any of this is allowed on the premises. Lucky for you if they do, and if not, hopefully you’ve considered your habits are not the studio’s responsibility. Simply handle that before you get there.
It’s All About You!
Shopping for a studio can be a lengthy process. Many studios are also and more often referred through word of mouth. Just remember, you as an artist need to feel you’ve found your recording home. It is the one place where sparks will fly and your creativity will hit the roof!
Her ‘ukulele skills are embodied with fine ingredients of musicianship. Brittni Paiva takes possession of her talent as she provides her listeners with tunes that leaves a memorable and beautifying experience. Her presentation of ‘music’ is sure to continue to open doors.
At 21 years of age, Brittni Paiva (pi–VAH) is the preeminent female `ukulele player from Hawaii. Affectionately referred to as the `ukulele darling, Brittni is a native of Hilo, on the Big Island. She is a multi-award winning, multi-instrumentalist with a prodigious gift who is wholeheartedly embraced by a global audience.
Over the past six years Brittni has self-produced three award-winning CDs. She took home the prestigious Na Hoku Hanohano Award for Most Promising Artist of the Year in 2005 in support of her debut release, Brittni x 3. Her sophomore release, Hear, won `Ukulele Album of the Year in the Hawaii Music Awards, otherwise known as Hawaii’s People’s Choice Awards in 2006. This CD was also nominated for the Na Hoku Hanohano Award for Best Instrumental Album of the Year and Favorite Entertainer of the Year. Her third album in as many years, simply titled, Brittni, won `Ukulele Album of the Year in the Hawaii Music Awards in 2007 and was nominated for two Na Hoku Hanohano Awards from the Hawaii Academy of Recording Arts.
2009 marks the launch her fourth CD, Four Strings: The Fire Within in a national campaign. This CD contains upbeat, soulful interpretations of her most passionate work in world music. Charles Michael Brotman, Hawaii’s first Grammy Award recipient, co-produced the album. Burning like an eternal flame, instrumental music is an Old World tradition that has bonded people for centuries illuminating aspects of the human spirit that resonate to a higher truth.
Brittni performs frequently in Hawaii, and along the Pacific coast of the mainland. She has represented the Big lsland Visitors Bureau in Canada and is expanding her touring schedule to include different regions throughout the United States and the world.
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Do you see what I see? Do you hear what I hear? As I’m certainly not singing the ole traditional Christmas song… it is evident the image above has some sound issues. The white area = the song track as the blue peeking thru is just a smear of this poor track trying to breathe. This is an actual finished mix of a song that was recently brought in the studio for me to listen to, and as you can see – it’s clipped out! I’m going to also assume and hope that this is not the mastered version of this track.
As my ears are trained to first hear this song was distorted… watching it almost stand still on the meters of my mixer clearly revealed how beat up it was. It sustained a ride around 4db during full playback from the CD. When you hard limit a track this much and peak well above 0db, you get the sweet sound of ‘ugly.’
Let’s analyze this track. The dynamics are gone. There’s no definition to the movement of the track. The kicks, snares, and vocals are buried under that brick-layered destruction.
Understanding the basic procedure of a mix-down as well as training to hear what you are listening for are key ingredients to perfecting your overall sound balance. Since brick-walling is a normal procedure these days to increase the appearance of volume… you should definitely stay out of the peak range when doing so.
I call this type of mixing cold. It’s clammy and harsh and omits depth and definition. As you may feel your mix-down has to be loud; I challenge you to simply use your fader. Give it a shot! Of course compression and some limiting may be necessary for key elements within the mix; however, it’s always okay to let the track breathe. I personally believe this creates longevity in the listening pleasure of your music. Old school tunes come to mind! Notice how no matter how much you listen to them, your ears don’t tire after a couple plays?!
And for the sake of anything ‘noizey’, please don’t master your music or allow your music to be mastered to this extent!
While listening to this group, I immediately think club! Team Randolph delivers catchy hooks with a twist of lyrics to compliment their banging tracks. Prepare for a new generational effort that’s sure to rock parties well into the future.
Young-No, Special, and Kali Kash, makes up the triple threat “3 Headed Monster” Each artist brings a different element to the table when constructing records.
“Young-No” has a smooth but aggressive delivery that keep his listeners eager to hear what’s the next bar to come out of his mouth. “Special” attacks every track with a passion and very versatility. “Kali Kali” is very animated with his delivery and is a pro when it comes to hooks! “Kail Kash” is also the 3 Headed Monster’s and house producer. (Produced all tracks on the album, excluding one.)
3 Headed Monster” is here to take Hip-Hop back to its roots!
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Young-No- “WARNING SHOT” now available!
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