Pointerz

Tips, advice, and guidance on several facets of the music industry to help better career opportunities and individual growth.

Crying Baby Spoiled Mouse and Click Producers: Whining and Never Satisfied Now that I’ve got your attention, let me first clarify that I’m not badgering the computer producer. Many of you know that I also produce and record music in software as well as welcome the era of today’s music technology. However, I truly feel sorry for (what we call) mouse and click producers (namely because of their spoiled and inconsiderate behavior, and lack of work ethic), because there is no way they would have survived producing music just less than 15 years ago. They want everything to be spoon-fed to them while whining like babies needing pacifiers.

Briefly Taking You Back A Few Years

Imagine recording and mixing your music without ‘having or needing a waveform’ to ‘show’ what you are doing? Just some short time ago music-makers and engineers studied and learned how to hear their music. They processed and shaped their sound by what they heard, and didn’t depend on a visual preset. They didn’t need a grid or a map to know when a sample was in place. Every knob on an out-board processor had meaning and significant value because the producer knew how each one developed their sound. Many would perform various music editing techniques without a monitor. Picture that!!! (*pun intended) They respected their craft and the gear they produced it on. They didn’t make excuses every time someone didn’t like their music. They knew when to go back to the drawing board as ‘time and effort’ wasn’t an option; it was a must! They were patient and didn’t expect overnight success. If they had a room full of gear, it was not to impress their hangout cheering squad, and you better believe they knew how to use each piece proficiently.

There was no such thing as producing a track in 10 minutes, and if there was such a rare occasion, they were too ashamed to ‘brag’ about it because of their incredible work ethic. I know this all too well because I am a product of that era, and I have to say, I’m proud and honored!!! I developed a discipline because a certain chip of respect for the craft was embedded in me and I learned how to work with what I paid for and get better than satisfactory results.

The Importance

I think it’s important to be grateful for the gear you have and more importantly learn to use it and stop depending on software and hardware developers to spoon-feed you because you can’t function without ‘a function’. Sure, if we spend our money on a product, we expect it to do what it says it does… and some of us forget that it does!!!  It’s okay to create a wish-list, but respect your gear enough to know that you didn’t buy it for what it does not do or does not have!  And while it would be great to have all the tools you need in place; try focusing on getting the best out of what you have… and lose the spoiled and whiny attitude!

The responsibility in music today is a gross effect of the mentality surrounding it.

 

Photo Credit: Crying Baby by Brandon Baunach

ProTLs Alternate Mixes Record Companies May Require From Engineers

  1. Album Mix (The original mix)
  2. Radio Mix (Usually edited in length and lyrical content, and the dynamics of the mix may be altered differently from the studio mix)
  3. Vocal Up Mix
  4. Vocal Down Mix
  5. Instrumental Mix (No Vocals)
  6. A cappella
  7. TV or TV Performance Mix (Lead vocals are the only tracks removed)
  8. Mastering Stems  (There may be an occasion where stems may be required for the mastering engineer. This is not the same as stems for mixing, and it’s aside from the delivery of a traditional stereo mix for mastering. Stems are several stereo submixes of instruments, vocals, etc which gives the mastering engineer better control of the various final/mastered mixes.

sn id3img 8 Software Titles That Embed ID3 Tags (Metadata)Embedding your song information (metadata) in MP3 files is a necessity these days especially when sharing and or or distributing your music digitally. When you’ve put in all that hardwork in the production of your songs, you want your information to stay with that file when it’s in use.

An ID3 tag is a data field which contains the audio image, artist name, song title, genre, year, additional comments, etc.

Several audio platforms in both applications and hardware (such as MP3 players, tablets, smart phones) support ID3 tags.

You may already have access to an ID3 tag editor through your main DAW or favorite audio editor. But in the case you don’t, the following list takes care of the job for you. Keep in mind, some ID3 editors may have more metadata field choices than others.

ID3 Tag Editors

Stamp ID3 Mp3 Editor Software
MP3Tag
AbyssMedia ID3 Tag Editor
Pa-Software ID3 Editor
MusicBrainz Picard
ID3 Tag Editor
ID3 Editor (for Mac)
UltraTagger

 

singr sn Women in the Recording Studio and How We Should Conduct Ourselves It is no tale that I often get requests to work with some women because they have problems with men hounding them in the studio environment. Some in tears, and sadly led to believe that their careers are based on their bodies and not their respective creative abilities. They’ve indicated that these men don’t take their art serious and have their eyes and minds else places.

As we know this type of thing is common and has been going on for years; it has also proven why some women have fallen victim to working with people who had no real interest in developing their careers unless they gave up the goods which resulted in some pretty shady dilemmas.

In my own studio environment, I’ve remained focused on providing a comfortable experience to both men and women. Sure I’ve had some men try to take things a step further… but nipping that in the bud in the beginning is what kept everything in perspective. Can you imagine the turmoil that never escapes if this continued to escalate?

I’ve also had insecure females who had significant others work with me and assumed we were doing more than making music. I’ve had to address this issue in a delicate manner to keep peace, however, I’ve also found in these type of situations, some people are going to believe what they want (and who knows what dude is taking home in making his companion feel uncomfortable or jealous?), therefore, if I feel the work relationship is unhealthy and/or the issue is hindering the music-making process, I simply remove myself from the situation. Who really has time for all that drama?

We as women in this music profession are obligated to hold our own and we can set the tone as to how we choose to be treated in this male dominated arena. I realize even when visiting other studios that I as a woman get out of the experience what I put into it. (You’ve heard me say this a ton of times)

We all know that some men will try. However, in most cases, they will highly respect you more when they’ve found that you highly respect you more. I personally know of women that went to work and were kicked out without laying one track because other things went on, friction was caused and they ended up with a reputation of being just another piece of… well you know what I mean.

So in essence, my ladies if you are concerned about some men that want to get with you in a ‘pleasure before business’ arrangement, you should leave that environment altogether. Don’t entertain one aspect of it. It’s not going to get any better and please know you are not the only female to go through it, and surely won’t be the last.

Even if you feel working with a female is more suitable, you must know there are men out there who are serious about the artwork of their profession and will work with you and provide an enjoyable business experience. I know this first hand and are best friends with several and their families, and because of our music relationship, we can’t imagine taking things to ‘that’ level.

And to my ladies with significant others that work with us; please develop some security and know that not all of us are trying to creep up on your dude, even if he tries first. If you doubt him, then you deal with him. If you doubt us, then you’ve already doubted him.

Sure, we are not all blind to what really goes on out there, but the ultimate outcome of our studio experience is based on how we as women choose to conduct ourselves.