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344575 msokay 300x298 17 Rules You Might Want To Consider For The StudioBelow is a list of It’s Okay’s that I use in the studio to maintain organization. I got the concept from a teacher in a leadership class and developed my own version of rules for the studio. You are welcome to use this list and or alter it to your needs. If you have any you’d like to add… do share my friend!

1. It’s OKAY to understand I had to come up with this list of Okay’s to maintain a professional work environment.

2. It’s OKAY to know this list is not a personal attack at you!

3. It’s OKAY to comply with the NO-SMOKING ZONE anywhere inside the premises.

4. It’s OKAY to eat and dispose of your trash appropriately when you’re finish.

5. It’s OKAY to understand my computers are OFF LIMITS for your personal use.

6. It’s OKAY to hang headphones in their designated area instead of on the microphones or on the floor.

7. It’s OKAY to keep all food and drinks out of the sound room.

8. It’s OKAY to understand when you are in session, the studio is a no-children zone.

9. It’s OKAY to be prepared and understand chatter during clocked hours is costing you.

10. It’s OKAY to bring in ONLY those who are participating in your session.

11. It’s OKAY to not bring people to my studio that you wouldn’t bring to your house.

12. It’s OKAY to come in as scheduled.

13. It’s OKAY to call if you are going to be late.

14. It’s OKAY to understand this is really my job.

15. It’s OKAY to be prepared to leave when your session is over.

16. It’s OKAY if you see more It’s Okay’s on this list by time you have your next session.

17. It’s OKAY to have fun, get into your creative zone, and be productive during your recording session.

mackmixingboard1 Do You Get Caught Up In The Session?As a studio owner and producer, do you get caught up in your client’s sessions when a producer is not involved? I’m not saying take it over, but do you offer suggestions on what you think sound nice and what doesn’t? Do you suggest overdubs or re-takes even if the client is cool with what they have recorded?

I do this sometimes with projects I feel good about or with clients I feel comfortable with. Besides, it’s natural instinct of a producer to give input even if they are not working with that artist. I take an interest because I care about the success of that particular client.

However, thinking about it – is it really what I am paid to do as studio personnel? With the rates I offer my clients – they are getting my recording/mixing expertise, however; having me as a producer involved is essentially something I’m not paid to do. But… when I’m in the groove of things, who’s thinking about the technicalities?! It becomes more about the music! See how this can be mind-boggling?!

Honestly, some projects I record are pure garbage. All I ever want to do in life is complete the session, mix it down and forget it ever existed. I know that sounds harsh, but the point is – it’s not for me to like or dislike. My job as a studio is to provide a quality service to my clients.

I’ve found some clients appreciate and respect my input and technically depend on it, while others just want to do their thing regardless of what I suggest. And in all right, they are entitled to that. The bottom-line is they should get what they want even if I foresee a disastrous outcome.

As studios operate differently, Technically, I realize it’s best to remain studio personnel to our clients and leave their art to them. If they want a producer, then that’s another contract. But, personally and as a producer, I’m sure I will always offer assistance, especially when asked!