Now that I’ve got your attention, let me first clarify that I’m not badgering the computer producer. Many of you know that I also produce and record music in software as well as welcome the era of today’s music technology. However, I truly feel sorry for (what we call) mouse and click producers (namely because of their spoiled and inconsiderate behavior, and lack of work ethic), because there is no way they would have survived producing music just less than 15 years ago. They want everything to be spoon-fed to them while whining like babies needing pacifiers.
Briefly Taking You Back A Few Years
Imagine recording and mixing your music without ‘having or needing a waveform’ to ‘show’ what you are doing? Just some short time ago music-makers and engineers studied and learned how to hear their music. They processed and shaped their sound by what they heard, and didn’t depend on a visual preset. They didn’t need a grid or a map to know when a sample was in place. Every knob on an out-board processor had meaning and significant value because the producer knew how each one developed their sound. Many would perform various music editing techniques without a monitor. Picture that!!! (*pun intended) They respected their craft and the gear they produced it on. They didn’t make excuses every time someone didn’t like their music. They knew when to go back to the drawing board as ‘time and effort’ wasn’t an option; it was a must! They were patient and didn’t expect overnight success. If they had a room full of gear, it was not to impress their hangout cheering squad, and you better believe they knew how to use each piece proficiently.
There was no such thing as producing a track in 10 minutes, and if there was such a rare occasion, they were too ashamed to ‘brag’ about it because of their incredible work ethic. I know this all too well because I am a product of that era, and I have to say, I’m proud and honored!!! I developed a discipline because a certain chip of respect for the craft was embedded in me and I learned how to work with what I paid for and get better than satisfactory results.
The Importance
I think it’s important to be grateful for the gear you have and more importantly learn to use it and stop depending on software and hardware developers to spoon-feed you because you can’t function without ‘a function’. Sure, if we spend our money on a product, we expect it to do what it says it does… and some of us forget that it does!!! It’s okay to create a wish-list, but respect your gear enough to know that you didn’t buy it for what it does not do or does not have! And while it would be great to have all the tools you need in place; try focusing on getting the best out of what you have… and lose the spoiled and whiny attitude!
The responsibility in music today is a gross effect of the mentality surrounding it.
Photo Credit: Crying Baby by Brandon Baunach
It is no tale that I often get requests to work with some women because they have problems with men hounding them in the studio environment. Some in tears, and sadly led to believe that their careers are based on their bodies and not their respective creative abilities. They’ve indicated that these men don’t take their art serious and have their eyes and minds else places.
As we know this type of thing is common and has been going on for years; it has also proven why some women have fallen victim to working with people who had no real interest in developing their careers unless they gave up the goods which resulted in some pretty shady dilemmas.
In my own studio environment, I’ve remained focused on providing a comfortable experience to both men and women. Sure I’ve had some men try to take things a step further… but nipping that in the bud in the beginning is what kept everything in perspective. Can you imagine the turmoil that never escapes if this continued to escalate?
I’ve also had insecure females who had significant others work with me and assumed we were doing more than making music. I’ve had to address this issue in a delicate manner to keep peace, however, I’ve also found in these type of situations, some people are going to believe what they want (and who knows what dude is taking home in making his companion feel uncomfortable or jealous?), therefore, if I feel the work relationship is unhealthy and/or the issue is hindering the music-making process, I simply remove myself from the situation. Who really has time for all that drama?
We as women in this music profession are obligated to hold our own and we can set the tone as to how we choose to be treated in this male dominated arena. I realize even when visiting other studios that I as a woman get out of the experience what I put into it. (You’ve heard me say this a ton of times)
We all know that some men will try. However, in most cases, they will highly respect you more when they’ve found that you highly respect you more. I personally know of women that went to work and were kicked out without laying one track because other things went on, friction was caused and they ended up with a reputation of being just another piece of… well you know what I mean.
So in essence, my ladies if you are concerned about some men that want to get with you in a ‘pleasure before business’ arrangement, you should leave that environment altogether. Don’t entertain one aspect of it. It’s not going to get any better and please know you are not the only female to go through it, and surely won’t be the last.
Even if you feel working with a female is more suitable, you must know there are men out there who are serious about the artwork of their profession and will work with you and provide an enjoyable business experience. I know this first hand and are best friends with several and their families, and because of our music relationship, we can’t imagine taking things to ‘that’ level.
And to my ladies with significant others that work with us; please develop some security and know that not all of us are trying to creep up on your dude, even if he tries first. If you doubt him, then you deal with him. If you doubt us, then you’ve already doubted him.
Sure, we are not all blind to what really goes on out there, but the ultimate outcome of our studio experience is based on how we as women choose to conduct ourselves.
Your studio depends on your ears to hear correctly. Your studio also need a good pair of studio monitors to assist your ears to hear what they should. Reference monitors, studio speakers, close-field, near-field, or field monitors all share commonality. You need them in your studio environment!!! Period.
Your monitors should speak truths to you and if not the whole truth, then pretty close to it. Many will argue your best monitoring will fall in a higher price range. As there are tons of home studios these days; most want the best monitors at the best price to handle the job well.
While there are many types of studio monitors; each set fits specific situations. Smaller rooms depending on how they are built, require certain monitors and proper placement to perform at best… and the same goes for larger rooms. Most home studios house close-field or near-field monitors, as the big studios have different sources of monitoring, and depend on them all.
You want to stay away from monitoring with speakers with color, and I don’t mean the speaker casing. I’m talking about speaker enhancement. The kind that’s on your hi-fi stereo speaker system. It makes your music sound good because that’s what it is designed to do. This is excellent for playback and listening pleasure while you’re lounging, but definitely not the route you want to take for monitoring your priceless studio recordings.
The difference is… if you are recording and mixing through an enhanced speaker, then how do you know what your mix really sounds like? And when you go to playback… you hear different results between sources. Your ears will even seem as if they are deceiving you… when in fact you’re deceiving your mixes. Note that when you mix through flat studio monitors, your mix should sound similar on various sources… and that’s what you want! No surprises, right?!
Enhanced sound is added to any sound device created for your leisure such as your iPod, computer, stereo system, mobile phone, car system, and television.
For the kicker: Several studio monitors have subtle color or added enhancement. I clearly remember a pair of Alesis RA-100′s I once owned for a very short while. The highs were super crispy and annoying. I had a friend who had a pair and I heard the same thing.
Whatever monitoring system you choose, the key is getting to know your speakers. Understand why they behave the way they do, and work with them accordingly.
Stop in at your local professional studio audio gear dealer and listen and compare based on your budget. You’ll be amazed at what you hear.